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Sunday, November 16, 2008

Three new music tracks

Dear friends,

I have composed and produced three new music tracks since the last time I posted something here. You can hear the tracks below. They are all in totally different styles, so I hope you'll enjoy at least one of them. :-)

I like to work with different styles of music, this way and that -- I always have.

The first track listed below is China Temple Morning which started as a simple arpeggiated bell pattern which just sort of "happened" on my keyboard the other day. I've purchased a new software synth called Omnisphere from Spectraconics and I'm using it for several of the sounds in this track. This track was finished very quickly; I did it all in one day from 08:30 until about 23:00. :-)

The next one is Blue Sky which is just a "nice and easy" sort of instrumental soft-pop track, or pop/ambient crossover. I wanted to make something that would be good as background use for media, video, film, presentations, etc. mostly with the idea of licensing it through my stock music library. I try to combine synthesized sounds with acoustic guitar for a softer feel. In the last part, a subtle electric guitar also comes in. I never use "plug-ins" for these kinds of guitar parts, because I find it takes me a lot longer to fiddle with the settings to get it to sound close to a guitar sound, than it takes me to simply pick up the guitar and play it into a microphone. Much quicker. :-)

The third track Tempest Drive is quite similar in style to some other "upbeat electronica" tracks that I've been making over the past few months. It's not exactly techno, not exactly trance, but something like energetic electronica, I guess. In this track I'm using some sounds from the Top Production Samples CDROM that I made and published myself, a few years ago. I still find myself using sounds from that CDROM from time to time. I know the sounds well and keep coming back to them. Also present here are some other synth sample loops and three instances of the software synth plug in z3ta+.

Anyway, the tracks can be heard in the player below. I hope you'll enjoy them, and like all my other tracks, they can be licensed for Royalty-free use in media production through my music library website, www.Shockwave-Sound.com

All the best,
- Bjorn

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Monday, June 04, 2007

"Undercover" now available as a CD

“Undercover” now available on CD

I’m happy to announce that Undercover is now available as a CD!

“Undercover” is a 14-track album that I have made together with my friend from the Amiga/PC demo-scene, Adam Skorupa, aka Skorpic. The music is in “Spy/Thriller/Crime soundtrack” style.

The CD was “pre-released” in my download-shop about 2 weeks ago. As of today, it is also available as a physical CD, from two different places:

From myself, in Norway: www.lynnemusic.com/cdshop.html
and from CDBaby in USA: www.cdbaby.com/cd/lynneskorupa

World wide shipping available both places.

I have to mention that this CD was not glass-mastered and duplicated in an industrial CD pressing plant. It was made in 300 copies at a “short-run” CD duplication company where they use big CD-copier machines to copy from the original master CD-R. So it’s neither a fully industrial CD, nor a home-made CD... but something in between, I suppose.

The album will arrive in a few weeks at iTunes and other downloadable services – but if you wish to buy it as a downloadable album already now, you can of course do so from http://www.lynnemusic.com/downloadshop.html right now.

To listen to the whole album online, just go to www.lynnemusic.com/cdshop.html and click on the “Undercover” album cover.


Update on other musical things....

I’m working on a long(ish) track for my next forthcoming solo album. I think I’m going to call the track “Voyager”, because it appears to me that every electronic music composer or band has to make a track called “Voyager” at some point in their career ... and I have yet to do so! :-) I’m trying out different ideas and throwing away quite a lot of stuff that isn’t working the way I’d like it to. :-) I’ll try to keep you updated.

As usual, I’m also working on my royalty-free music licensing site, www.shockwave-sound.com, which is how I make most of my income now. My music gets licensed from that page an average of 25 times every single day, and after years of this, it makes thousands of productions that use my music. Most of these productions I have never seen or heard. When somebody buys a license from www.shockwave-sound.com, I don’t actually ask the customer exactly what he’s going to use the music for. I just tell the customer what he/she can and can’t use the music for. So it’s kind of weird to think that my music is being used in thousands of different productions all over the world, and 99.5% of them I never get to see or hear about. A couple of times I have “stumbled across” my music while switching channels on the TV. :-)

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Wednesday, February 14, 2007

Selling stolen music

Today while more or less randomly browing the web, I came across another musician's web site. I started listening to the music tracks that he offers on his web site, and was completely gobsmacked to find MY track "The Next Step" posted on his web site under the name "Highlander".

As many of you will know, I composed the track "The Next Step" in 2002 and released it on CD in 2003 on my album "Power Liquids". This guy had simply taken the track straight from the CD, changed it's name, and posted it on his web site as his own music.

I can only assume that all the other music on his web site has also been stolen from other musicians.

What's wrong with some people? Have they NO shame? Has the internet become so big and so complex now, that people like this think that they can just steal what they want and SELL it -- because the chance of being found out amongs millions of other musicians, is so low?

It has to be said that when I confronted this guy about it, he removed the track from his web site, so in this particular case, the problem has been solved. But it's got to make me wonder; how many other "musicians" out there are selling my music as their own?

I mean, there's stealing and there's stealing. There's the guy who downloads my music album from some pirate or peer-to-peer network, to listen to it himself. I don't like it obviously, because afterall I'm trying to make a living on my music. But I'm willing to forgive this to some degree.

But when somebody starts SELLING my music, credited to themselves, that's when things get serious and it's time to involve lawyers.

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